Hailed as a “radiant and confident” performer, American mezzo-soprano Cherry Duke “is a singer who communicates both the music and the text impeccably.” A regular performer of concert, opera, and new music, she appeared in the world premiere of David T. Little and Royce Vavrek’s opera Dog Days, on tour as a soloist with the American Spiritual Ensemble, with Indiana Repertory Theatre as Mrs. Segstrom in A Little Night Music, and at the annual OPERA America Conference in the New Works Sampler. In recent seasons, she performed as a guest artist with the Bay View Music Festival and Missouri Symphony Society and performed Siébel in Faust and Cherubino in Le Nozze di Figaro with Winter Opera Saint Louis, the Third Lady in The Magic Flute with Opera Tampa and Isabella in L’italiana in Algeri with Opera Company of Middlebury. She debuted in Beethoven’s Symphony No. 9 under the direction of Gerard Schwarz with Symphoria in Syracuse, New York, and reprises this role in 2016 with the El Paso Symphony Orchestra. Additionally, in 2015 she repeated her role in Dog Days with Fort Worth Opera and Los Angeles Opera and in 2016 performed it with New York City’s Prototype Festival. She is featured on the original cast album, released in 2016. In 2016, she debuted her recital of works by female composers at Converse College and University of Texas at El Paso and later reprised the recital at the National Association of Teachers of Singing Texoma Regional Conference and Northeastern State University.
On the opera stage, Cherry Duke has performed the title roles in Carmen, Hansel und Gretel, and L’italiana in Algeri, as well as Nerone in The Coronation of Poppea, Jo March in Little Women, and Suzuki in Madama Butterfly. In the spring of 2017, Duke debuted with El Paso Opera as Tisbe in La Cenerentola and returned to El Paso Opera in the role of Hansel in 2018. In 2019, she sang Third Lady in EPO’s The Magic Flute and The Princess in Opera UTEP’s production of Puccini’s Sister Angelica.
In 2019, Cherry portrayed Dolly Levi in UTEP Dinner Theatre’s landmark production of Hello, Dolly! She has performed frequently in cross-over and music-theater works, including roles in Scott Davenport Richards’ jazz opera Charlie Crosses the Nation; Don Davis’s salsa-inspired Rio de Sangre; and Gordon Beeferman’s post-modern Ratland. With Center for Contemporary Opera, she performed in the New York and European premieres of Dellaria’s The Secret Agent, in New York, France and Hungary. At Bard’s SummerScape Festival and Joe’s Pub she was featured in Carl Hancock Rux and Diedre Murray’s ”cabaret opera,” The Blackamoor Angel.
As an orchestral concert soloist, Cherry Duke has performed at major venues such as Carnegie Hall and Avery Fisher Hall. She has been a featured soloist in such repertoire as Bach’s B-Minor Mass, St. John and St. Matthew Passions and Weihnachts-Oratorium, Beethoven’s Ninth Symphony, Mass in C and Choral Fantasy, Duruflé’s Requiem, Falla’s El Amor Brujo, Handel’s Messiah, several Haydn masses, Mendelssohn’s Elijah, Mozart’s Vesperes Solennes and Grand Mass in C, Rossini’s Stabat Mater, Saint-Saëns’ Christmas Oratorio, Vaughan-Williams’ Hodie and Magnificat, and most recently, Respighi’s Lauda per la Nativitá del Signore.
As a teacher and clinician, Cherry has served on the voice faculty of Bay View Music Festival, Innovative Music Camps and Clear Creek Music Festival. She has given master classes at University of Texas El Paso, Indiana Wesleyan University, Bethany College, Salisbury University, Northeastern University and the University of Alabama. In the fall of 2015, she joined the music faculty at the University of Texas at El Paso where she teaches voice and directs Opera UTEP.
A Texas native, Duke graduated summa cum laude from Texas Woman’s University. She received her graduate degree in Opera Performance from The Hartt School at the University of Hartford. Cherry Duke is a member of Sigma Alpha Iota, the American Guild of Musical Artists and Actor’s Equity Association.